A year ago, I was an unemployed ex-philosopher who had just started a publishing internship. Now, I’m an unemployed philosopher who’s the senior intern and has a blog. Next year (hopefully!) I’ll be an employed philosopher, no longer an intern, and still have this silly thing. Continue reading
Well, the marketing and managing editor’s revenge is here: all the little things that make a day “special.” Before anyone asks, no, neither of these bingo cards are based on specific incidents or people (although a few more egregious examples do stick out)—not much point in waiting for something unique to happen again.
Plus, I’m pretty sure the really interesting incidents are covered under the publisher’s code of omertà.
Same rules as the last one apply, only now it’s the acquisitions department’s turn to pay—their just reward for inviting all these unique and highly valued people to publish with us.
Last week, our press kinda cleaned up at the Washington Book Publishers’ annual design and effectiveness awards. Three of our books won prizes,* two of which were first place awards. Seeing as we compete in the most competitive category here in DC,** that’s no small feat.
Kudos to our people. They do good schtuff.
We’ve already dealt with good/bad/ugly covers, but what makes the body and text of a philosophy book well-designed—or, more to the point, what are the unique challenges that philosophy books pose to designers, and what are the best ways to address them? Continue reading
A few months ago, Publishing Trendsetter did a series on the life cycle of a book. Not surprisingly, it was focused on trade—since, well, that’s where “everyone” wants to go. The thing is, academic publishing doesn’t always work like trade does. Seeing as Ye Olde Humble Blogge deals with academic publishing, and Ye Olde Humble Authorre works in it, let’s fix that imbalance. Continue reading
Time to crush the hopes and dreams of many a publishing pundit: just because it’s in an electronic format doesn’t mean it’s cheap to produce—or that you can/should skip the publisher and go straight to dissemination. This one will probably hack off half my twitter feed—it aims straight at the core of at least a few of the assumptions behind open access publishing—but the assumption that publishing houses do nothing but slap someone’s text on paper is wronger than a wrong thing that’s wrong.
Lots of people worth reading have posted about what book covers mean for our society, its views on race, and what exactly happens when a cover gets picked to sell books, forget what the book itself says. Yes, it’s important stuff—really now, if the author says the main character isn’t white but you put a Nordic-looking blonde on the cover, summin’ ain’t right—but I like to lurk in the dark underworld of academic humanities publishing. Thus, how to judge books by their covers, or make your Dusty Tome look like something worth reading.