Yes, another aside at the beginning of a post, but, thanks to a very nice reference from The Smithy, home of other fans of John Duns the Subtle, ye olde humble blogge’s visitor counter’s pretty much exploded. Seriously, I’ve gotten almost as many people visiting in the last three days as I’ve ever gotten in a month around here. Thanks for visiting, y’alls!
Why aren’t there any great novels written from a Scholastic viewpoint? For that matter, how many truly great works of literature that weren’t written by Dante can those of you who don’t study the middle ages name that explicitly follow a Scholastic worldview? Heck, what about the great Stoic novel? Sure, Marcus Aurelius’ Meditations aren’t poorly written at all, but really, what great play, poem, or book follows a Stoic worldview, rather than explicitly espousing one?* It seems that you can’t be an existentialist without writing novels (Dostoevsky, Kierkegaard, Camus, Sartre, and de Beauvoir were all pretty dang good novelists), and postmodern nihilism, especially of the “there is no truth—which should really scare you” postwar variety, produced any number of temporally disjointed and bone-crushingly dense black comedies. The Greek aristocratic ideal gave us some of the greatest epic poetry and drama the world has ever known, while postwar Japanese novelists infuse their works with Zen Buddhism’s unique wabi-sabi aesthetic, and Romanticism and German Idealism gave us a flood of great poetry. Heck, even Puritanism has produced great novels—according to at least one argument I’ve read, all of them.** So where’s the great stuff involving the nuances of virtue ethics, natural ends, and hylomorphism? Continue reading